Saturday, September 29, 2012

MIDPOINT

There comes a moment in
the crossing when you 
can see the horizon, sun
glittering on the water,
a glassy fire, you look astern 
to the rainbow miasma 
all sparkling and ghostly, 
the land fades away 
and you are surrounded 
by stillness. A gold-bellied fish
splashes in the slickness. 
You don't expect it, keep 
hoping for its return. 
Even here there is terror 
and delight.



Saturday, September 22, 2012

THE FLAME

So, you're in a Greek diner.
Let's call it The Flame, its
letters enscripted in neon
on the glass, and she's across 
the booth drinking coffee and
reading your poems. Her hair is
raven and she is, in a way, 
beautiful, someone who has
braved the depths of something
and returned arrogant, smart,
there's some faint smudge on her
forehead, the imprint of the moon,
as if she is touched by some 
kind of love as she reads. 
She reads each poem as if,
for a moment, she is stricken
by them, she writes a question
beside a line, jots a few 
words at the bottom, So?, 
A mood piece?  and Oh.
She looks at you for the first
time and asks you what you 
want. She flips her raven hair 
over her shoulder. You cannot 
say what comes to mind, you
want her to love your poems, or 
you, the way you just now love
her, or think you do. What do 
you want? she asks, and just 
now you know nothing, nothing
that you can say, you don't
really know anything but 
there are words tumbling
everywhere, she tells you 
that you must change your life, 
asks you if you're willing 
to change your relationship
to language, to form? You want
to say something smart but 
your mouth swells with twisting 
flowers. You are floating in 
indigo. The typed letters
shimmer on the page with 
a trace of something you 
can't quite decipher -- you're 
smitten. You take the pages 
and leave the booth.  B
the time you reach the door
you think she's watching but 
all you see is the window, 
indigo on the glass, the 
neon script of The Flame
and these flowers twisting 
in your throat, petals spilling 
from your lips, lavender and 
mustardivory and lipstick, 
the flush of becoming 
someone you'll never know, 
again.

Sunday, September 02, 2012

PREFACE TO THIS YEAR'S "BEST OF POETRY" ANTHOLOGY




Hallelujah! Poetry, it turns out,
is not dead, I promise you. Reading this 
year's nominations you realize that 
it's not even on its deathbed hacking 
paroxysms of spittle and bile, no, 
our contemporary verse has taken 
a quixotic creep toward health -- nothing a
good six months of drinking green tea with 
ginseng and honey won't cure! This year we're 
calling for a dose of the elemental, 
yoga, meditation, brisk walks to restore 
the soul. So here's my Rx, dear reader, 
this year you'll find oodles of gloomy pantoums 
and an imitation of  Poe's "Ulalume"!
But in this new century poets are 
no longer enjambing the relics of 
our lives into familiar forms. Here you'll 
find the palaver of our xenophobic 
culture translated by Crazy Jim, and 
those whacky internet postmodernists
who present us with a parade of 
numbskulls and street ministries: fire eaters, 
torch singers, Venetian horses galloping 
in golden splendor, tattooed and gurning freaks 
pounding 16-penny nails into their flesh. 
Yes, the pantoum is reborn, reinvigorated, 
reconstituted, recapitulated, 
cleansed from the recent sins of poetry 
when the hybrid jingoistic linguists just 
spit any abstraction on a page, here, in 
this collection, beside the regenesis 
of -- dare I say it? -- the palindrome! 
Yes, our old childhood friend is back on the 
radar, need I refer you to these deleveled 
stackcats?  And for once no one in the country 
wrote a flippin' sonnet, Italian or 
otherwise, RIP my syllabic schemers, 
and while we're reading the obits let's bid 
a fond farewell to the narrative, finally, 
no apostrophes, no sestinas, no 
lyrical ballads, no elegies, no! 
Begone! It turns out that in this new century
there's no time for mourning these exhausted 
forms, no room for pettifogging meditations, 
no precious villanelles, they've all been hauled off 
to the ash leap of literary history, 
so long!, bon voyage, they'll be bulldozed 
into methane-wheezing landfills cherished 
only by misbegotten seagulls picking 
at the smoke-charred crematorium, 
no more love, no more lust, no more blessings, 
gone! Vamoose! No.This year it's all vituperative 
rants and monosyllabic chants, preternatural 
political rhetorics posited by 
post-Christian proselytes, and Occupy 
polemics hoisted on streetlights of the 
new American common ground, burning flags 
(there's even a typographical representation 
of the American flag -- a timely 
concrete poem if there ever was one! --
included in this volume), coffins of 
capitalists and the neo-captains of 
industry paraded through the city squares 
with blank verse mantras, chest-thumping poets 
demanding that someone, anyone, look not 
at the stars, Brutus, but ourselves. These poems 
collected here are not the byzantine beauties 
you're used to ogling, no, they're declarations, 
defamations, legal briefs, syllables 
scattered across the page like 52 pick-up, 
they're the skittering jalopies of 
hillbilly wordsmiths, punks drunk in their own 
neuroses, with form and content added 
on like this year's new infomercial gizmos. 
And so we can finally state that we've reached 
the acme of human achievement, readers, 
for there's no zeitgeist of meaning here, no, 
readers, these are vomited phrases, the 
curse of Babel, the scribblings of wanna-be saints 
and self-declared prophets and beatnik 
prattle-meisters, caveat emptor!, my friend, 
please read this year's offerings freed from the 
dead hand of the past, spurn them, rip them out 
and burn them if you must, for in this new 
era, this new time, our writers have resurrected 
us from all the -isms, with this new volume 
we're reborn with every droning delight, every 
plaintive chant, every carnival barker's 
promise, Step right up! Feast your eyes 
on platonic ideals once cherished for 
the ages now scrapped and sequestered to 
the reliquary! See the double-headed 
beast barking like a pathetic seal! See 
Lazarus, that great begrizzled bard,
bedazzle us with  his high-wire, death defying 
tropes! Enter if you dare, dear reader, and beware,
for the philistine ministers of culture 
are watching over your shoulder, safeguarding 
the temple of poetry, starving in 
their precious principles, imploring you, 
beseeching you, steer clear of this linguistic 
leprosy!, these expressions from ebola-
liquefactions gagging you and blinding 
you with their bombastic truth! Read on, 
dear reader, if you dare.  


Saturday, September 01, 2012

A MEMENTO TO THEIR SOMETHING OR OTHER

As a memento to their 
undying something or other
she took the unripe palm nut 
and bear claw she'd filched from the 
hotel brunch and retreated to 
their room overlooking the island 
necklaced in bosomy gold and 
diamond glittered surf. This was 
the end, she knew. They'd come here to 
restore that certain sparkle, that 
certain precious something they'd 
always known was theirs, and now, 
just now, she knew for sure, the palm 
nut cool in her hand, it was when 
he asked for coffee and she spied 
his ring so thin and brassy on his 
finger, the way he poured in so much 
cream to dilute its bitterness, 
the exquisite acidity, it was that 
stupid ring he'd bought at Federal's 
when they first met, a lark back then, 
a testimony to his rugged 
immaturity, she'd called it, 
his rakish innocence, he was 
moving to California to 
make films, to reinvent  
American beauty, Sunset Boulevard 
and all of that, so in love was he 
with Norma Desmond, the idea of 
pathetic beauty, and eros, 
and now, sprawled down there in his 
cabana beside the pool, gaping 
at the golden calves of women 
half his age, his big belly now burning 
red, squinteyed and leering at 
the older women in their cover-ups, 
he might as well be floating face-
down in Norma's pool, that outrageous 
garden of Salome's, let him live 
his fantasies, his films, let him 
have his little mind-fucks or candied 
flings with platinum tinsel dolls 
from Reno or some big-bosomed 
Danish tart from Peachtree Gardens. 
She was packing. This time she meant 
to go. She would drive their rental 
to the island and disappear among 
the flesh walking the shore, her name 
now was Freedom, she could feel 
the tug of the shoreline fizzing 
at her feet, it would be water 
and wind, salt and sun, tide and sand, 
she was Norma Desmond now in 
sunglasses and stunning in her 
black swimsuit, beauty reclaimed like 
the flamingos nesting in the trees, 
ravishing, she left the bear claw 
on their bed and held the palm nut 
in her hand, warm and burnished smooth, 
something or other reclaimed, she knew,
she couldn't quite say. 

HOUSTON 1980

I needed
     a job pronto so
I drove in the petro-

chemical darkness, 
     past pawn shops and 
U-Tote-M’s and shrimp 

stands, drifted 
     into the shadows 
of downtown where 

fungal rats the size of 
     dogs danced among 
pick-ups on Texas Street,

entered the Alamo
       Diner, it was 5:30,
the waitress

sat me at the
     window where I could 
watch the rats 

and see myself
     flat on the glass,
the only gringo 

in the joint.
     Beside me a 
maid and her son, 

his eyes like
     a sleepy burro,
he ate a buttered

tortilla as she spooned 
     her juevos rancheros, 
ordered eggs, stirred
   
sugar in my coffee, 
     turned to the Want-Ads, 
circled the ones with 

promise when I 
     found my calling,
a bookstore!  I 

lit a Winson and 
     laughed at the
man on the phone 

last night who
     said the streets aren’t 
paved in gold here

son, I loosened
     my tie and squinted 
through the smoke and 

said “Who says?” 
     The woman
and her son stared at me

as if I was nuts and
     perhaps I was 
but I knew something 

then that no one else 
     on Texas Street knew –
that I’d have a job

by noon easy, 
     this was America,
all it would take

was the quarters 
    in my hand
and the Alamo Diner 

pay phone, some mints
     and my white shirt 
and tie, I’d sell 

self-help psycho-
     babble, bodice rippers,
gossip rags, newspapers,

skin mags, Necco
    Wafers and cokes,
gum and cigarettes,

it was all such 
     an easy mark, 
a lark, that night we’d 

eat jambalaya 
     from a roadside stand,
return to The Thunderbird

motel and drink
     a six-pack of
Lone Star in the

stiff sheets, our lives 
     blessed like 
the streets paved with 

gold.