All summer outside my
window the river traffic
glides by, great lakes tankers
laden with cement, bleeding
at the hull, 3-masted schooners
with dories trailing like orphans,
sailboats and yachts and boats
of every size and class —
all day the drawbridge yawns open
for maritime commerce
and pleasure and sport,
fishermen in oilers, pot-bellied
Hemingways commandeering
cigarette boats and catamarans
and pontoon boats festooned with
Italian Christmas lights and
mylar balloons bobbing
in the wind, flotillas
of kayaks, canoes, racing sculls,
rowboats and powerboats spilling
to the gunwales with bronze-skinned
buxom-bikinied mermaids, their
luxuriant hair waving, but
it’s the working boats that
grab me, the meat and potatoes
fellas, the gargantuan
barges hauling pyramids
of coal and scrap metal in silence,
pushing back the water in
a garland of brown foam,
the tugs churn and shudder against
the current, bringing tons of dark freight,
and on top of each heap sits
one sea gull, fat and lordly
like some ancient river god,
resplendent admiral of our fate,
our fear, comedians of
the waterways, philosophers
or the harbor, pompous poets
of the people they
stare down on,
dreaming our demise.
We are their subjects, their slaves,
their minions, fated to
await the coming disruption
when order will be restored
and they will once again
reclaim their right to ascension.
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