Saturday, November 27, 2010
UNRESOLVED
Friday, November 26, 2010
WHOOPTEE FUCKIN' DO FOR YOU
for A & A
Whooptee fuckin’ do for you! she said,
this was their first cocktail party, a soiree
in their honor, drinking Grey Goose kumquat quests
and chanting Ferlinghetti’s “Constantly Risking Absurdity”
from the picnic table festooned with paper lanterns
and tiki torches. The guests sulked and slinked
in their sultriness, words slurred in the syrupy
sloops of fireflies and luna moths floating
their carnal syntax across bare shoulders
and breasts, men stripping down to vests, there's dancing
barefoot across the dewy grass -- someone
put on Sinatra so they're dancing -- and
when he said he needed to recite his swan song
they all sang "The Way You Look Tonight" with
Ol' Blue Eyes, they weren’t having any of it, no,
this is not how artists fade away, this
is not how cognitive theorists launch their careers,
there’s too much wisteria curlicued overhead,
she pleaded with every slender braceleted gal
swooning to the crooning she could corner:
Do you think I’m pretty? Do you think I’m smart?
And of course they nodded and danced, yes dear,
of course you are, you are!, kumquat quests spilling
over their hands and down their lovers’ spines
as they danced, cooling the humid sweat and
patience from their fingers, and now he was
holding court by the fountain of Aphrodite
riding a swan, he was telling them all about
the swan, the song, and she, spying him, found him
so luscious, so utterly divine, and there,
among those flush-fleshed calypso dipsos,
she bounced up to the picnic table proclaiming
her right to holiness, to sing the Canticle
of Canticles!, and he, washing his hands in
Aphrodite’s spillage, shouted that he’d
never slurped oysters from their shells. The
lascivious couples slinked off into something
like a fistful of pixie stix poured down one’s throat
when looking at the stars, wax bottles of sugar
water one drinks to quaff their preternatural thirst,
licking the frosting off red velvet cupcakes,
whooptee fuckin do!, she shouted, Is this
all there is? Whooptee fuckin do for you! he sputtered.
This was not their swan song, they knew, but what did
they know? The night was fading and folks were
copulating in the neighbor's hottub, shagging
in the bearded iris, frolicking in the perfumed
French lilacs. They were left with the platter of
Cheez-Its and Triscuits, red grapes, cold asparagus tips,
potato chips and melted brie and the Eurythmics.
Standing there on the picnic table, under
the paper lanterns, they touched each other's lips
with their fingertips. Whooptee fuckin do for you!
baby, Whooptee fuckin do for you!
Thursday, November 25, 2010
THIS BEE
This fat bumblebee trapped
at my window, his whole being,
it seems, furious and
trembling, buzzing against
the glass until he fatigued
and resigned himself to
his fate, this transparent
flat pane that detaches him
from reality – his
yellow thorax fur gleams
with slick sweat, as if
the effort of life itself
drains free from him. He lifts
his legs, delicate brushes
fastidiously grooming
his abdomen as if to
release the pollen he’d
collected, combs himself
to look composed for the
inevitable while his honey gut
shivers. He stiffens for
the passing from one state
to another, a cessation
of bumbleness, and so
we see that existence
does not, in the end, precede
essence, at least
not for this bee, it simply
means the end for this bee
is the end of essence
itself, the same old
same old, again.
Saturday, November 13, 2010
WHAT IS AND EVER MUST BE
You can feel it coming,
can't you? Even in this
exhibit of former friends
where you wander past walls
of drawings, prints and paintings,
emerald bee-eaters,
fat rust-colored roosters,
naked women leaning
against abstract barns,
a series of houses,
still lives of blood ripe
peaches, exquisite, fruit
prints of a snowy river
while outside the dark
windows the river empties
into the starless night,
it's all line and value,
color and texture,
gravity and grace. You
buy three drawings of
sandhill cranes taking flight,
captured, as it were, as they
escape a slip of marsh ice
and leave the photographs
of powerlines stretched
across a field of rotted
pumpkins, straggled vines,
plein air paintings of the
old County Grounds, those
fields of lavender and
marigold, milkweed and wild
raspberry, hawks and kestrels
thistle and milkweed husks,
the hollow graves where the
nameless and star-crossed
orphans were buried, you
can feel it coming, can't
you, now that they've swept
the leaves in great mounds
so the streets look like
ancient burial mounds,
these nights are all so
elegiac, when the freight trains
rattle and moan, you feel
a cold front coming in from
the west, and you know it's coming,
there's nothing you can do,
it's the tide of all things
material and the
inconsequential.