LEAP OF FAITH (Revised, 12.31.06)
The woman on the bus
yanks the cord with
the intensity of her
life, it's comical, how she
hangs onto that line
and yells at the driver to
stop as we cross the bridge,
we are suspended
above the abyss.
STOP THE BUS NOW
she shouts PLEASE STOP
THE FUCKING BUS
until we pray for the driver
to give in and the bus
jerks to a halt
we all lurch forward
as if bent in prayer.
The woman scrabbles off
with her black trash bags,
her ballast, she means to
take her life, and as
the accordion doors
seal shut with a shush
an ambulance screams by--
she means to fly
down below down into
the valley of death and
transfiguration, we
cannot even imagine,
we smoosh our faces
against the undersea glass
as she mounts the bridge
wall and spreads her arms,
and for a moment she
floats in desperate space, she
flies, and falls, and someone
shouts HALLELUJAH!
for her soul, and ourselves
as well. The bus moves on,
a blessing for these
pilgrims bearing witness,
seeking redemption in
a sign, a symbol,
anything to live on.
Sunday, December 31, 2006
Tuesday, December 26, 2006
LEAP OF FAITH
The woman on the bus
yanks the line with
the intensity of her
life, it's comical, how she
hangs onto the line
draped atop the smoke-
tinted windows like some
abject garland, she
yells at the driver to
stop as we cross the bridge
that spans the valley,
we are suspended above
the abyss, she shouts STOP
THE BUS NOW PLEASE LORD
STOP THE FUCKING BUS in
a shrill monotone until
we pray for the driver
to give in and someone
shouts LET HER OFF FOR
CHRIST'S SAKE and the bus
jerks to a halt and we all
lurch forward as if bent
in violent prayer and
we all grab something to
brace ourselves, the woman
scrabbles off with her black
trash bags, the weight of
her life's belongings, her
ballast of her last will
and testament, she means
to take her life, and as
the accordion doors
seal shut with a hush an
ambulance screaming with
siren whips by in a mad
rescue, she means to fly
down into the valley of
death and abandoned
train tracks and brick smoke stacks
far below, so far we
cannot even imagine
what life down there is like,
we all smoosh our faces
against the undersea glass
and watch as she mount the
concrete wall and stumbles
on the edge, she spreads her
arms and she floats in the
desperate space, she flies
and falls and we stare
grim-faced and silent
before we return to
our seats and someone shouts
HALLELUJAH we all,
each of us in our small
voices whisper a prayer
for her lost soul, wherever
it may be, and for
ourselves as well,
and the bus moves on, a
blessing, a relief, we
are pilgrims seeking
redemption, a sign,
anything to live on.
The woman on the bus
yanks the line with
the intensity of her
life, it's comical, how she
hangs onto the line
draped atop the smoke-
tinted windows like some
abject garland, she
yells at the driver to
stop as we cross the bridge
that spans the valley,
we are suspended above
the abyss, she shouts STOP
THE BUS NOW PLEASE LORD
STOP THE FUCKING BUS in
a shrill monotone until
we pray for the driver
to give in and someone
shouts LET HER OFF FOR
CHRIST'S SAKE and the bus
jerks to a halt and we all
lurch forward as if bent
in violent prayer and
we all grab something to
brace ourselves, the woman
scrabbles off with her black
trash bags, the weight of
her life's belongings, her
ballast of her last will
and testament, she means
to take her life, and as
the accordion doors
seal shut with a hush an
ambulance screaming with
siren whips by in a mad
rescue, she means to fly
down into the valley of
death and abandoned
train tracks and brick smoke stacks
far below, so far we
cannot even imagine
what life down there is like,
we all smoosh our faces
against the undersea glass
and watch as she mount the
concrete wall and stumbles
on the edge, she spreads her
arms and she floats in the
desperate space, she flies
and falls and we stare
grim-faced and silent
before we return to
our seats and someone shouts
HALLELUJAH we all,
each of us in our small
voices whisper a prayer
for her lost soul, wherever
it may be, and for
ourselves as well,
and the bus moves on, a
blessing, a relief, we
are pilgrims seeking
redemption, a sign,
anything to live on.
Monday, December 25, 2006
WHEN THE MUSIC'S OVER (TURN OUT THE LIGHTS)
And so the performance
was over, the last words
of the tragic opera
fading, the tambourine
still chillingly alive
and shimmering like God's
breath, I lay on my cot
in the dark and waited for
it to come, in one void,
a wave of nothingness
crashing over me,
the room drenched in drama,
but there was no God
moment, no God consciousness,
no light, no stellar scream,
no cosmic swirl, instead
the room filled with dark matter,
a muffled absence,
not a terror or dread
or even an onrush
of regret, just a darkness
spreading its terrible weight,
no relief from its anguish,
just nothing, nothing,
nothing at all, until
the mind drifted away on
this dark matter spreading
in the nooks and crannies,
just diminished and lost
in the great blindness,
it was all black gravity,
I did not expect to
awaken, certainly
not in the closet,
fingers scraping plaster,
head clunking the wall,
the edge of death, the brink
of life, a trap, and the
long moan, the 3AM
freight droning, my eyes
cold stones and blind, dead stars,
I did not expect this,
this gulf, this muffled need,
this persistent voice
at the heart of something,
this anger, this stupid rage,
this lone whisper of light
shouting. For days I sat
alone, a lump, an
insubstantial substance,
something, consciousness
watching as the ghosts
appeared and whispered
in some unknowable tongue,
voices of the dead and living
indistinct, smothered,
the weight of lifelessness
itself, I had almost
joined them, these ancestors
waiting all around us,
drifting in orbit, my mind
a dead star, a cold
stone in my head slowly
warming, returning to
the grand opera, the carnival
of the senses and the
absurd roar, the theorems
and proofs I once understood
slowly unraveling into order:
a point, a ray, a line,
the universe was giving way
to tiny chunks of routine,
and soon enough, a
reprise, an encore,
the show must go on, you know,
the opera never truly
ends, the last shuddering
note gives way to the first,
you remain in motion,
only the direction shifts.
,
And so the performance
was over, the last words
of the tragic opera
fading, the tambourine
still chillingly alive
and shimmering like God's
breath, I lay on my cot
in the dark and waited for
it to come, in one void,
a wave of nothingness
crashing over me,
the room drenched in drama,
but there was no God
moment, no God consciousness,
no light, no stellar scream,
no cosmic swirl, instead
the room filled with dark matter,
a muffled absence,
not a terror or dread
or even an onrush
of regret, just a darkness
spreading its terrible weight,
no relief from its anguish,
just nothing, nothing,
nothing at all, until
the mind drifted away on
this dark matter spreading
in the nooks and crannies,
just diminished and lost
in the great blindness,
it was all black gravity,
I did not expect to
awaken, certainly
not in the closet,
fingers scraping plaster,
head clunking the wall,
the edge of death, the brink
of life, a trap, and the
long moan, the 3AM
freight droning, my eyes
cold stones and blind, dead stars,
I did not expect this,
this gulf, this muffled need,
this persistent voice
at the heart of something,
this anger, this stupid rage,
this lone whisper of light
shouting. For days I sat
alone, a lump, an
insubstantial substance,
something, consciousness
watching as the ghosts
appeared and whispered
in some unknowable tongue,
voices of the dead and living
indistinct, smothered,
the weight of lifelessness
itself, I had almost
joined them, these ancestors
waiting all around us,
drifting in orbit, my mind
a dead star, a cold
stone in my head slowly
warming, returning to
the grand opera, the carnival
of the senses and the
absurd roar, the theorems
and proofs I once understood
slowly unraveling into order:
a point, a ray, a line,
the universe was giving way
to tiny chunks of routine,
and soon enough, a
reprise, an encore,
the show must go on, you know,
the opera never truly
ends, the last shuddering
note gives way to the first,
you remain in motion,
only the direction shifts.
,
Saturday, December 23, 2006
NOTES FOR A POEM ON A TV SHOW THEME SONG
Wherever you go
for the rest of your life
you must prove you're a man.
from "Branded" theme song
It seems
they will
not take you
at your word
or just
your sex,
they want
something
more, a sign,
a proof
that you
are not
something
they fear
and yet
something
they need,
a promise
of where
you stand,
where they
stand so they
can breathe
freely, so
the world
they shape
makes sense,
so they
can go on
living with
men.
Wherever you go
for the rest of your life
you must prove you're a man.
from "Branded" theme song
It seems
they will
not take you
at your word
or just
your sex,
they want
something
more, a sign,
a proof
that you
are not
something
they fear
and yet
something
they need,
a promise
of where
you stand,
where they
stand so they
can breathe
freely, so
the world
they shape
makes sense,
so they
can go on
living with
men.
PRAYER WRITTEN ON THE 10 BUS IN DECEMBER
I love mornings like these
when the snow moon stares down
and the sky is milksnow
and moonlight, the air so
cold and pure it hurts
to breathe and your skin
shrinks to ice and you gasp
with wonder, a prayer
that the world is buried
and it's all so deliciously
cold and milk blue and
empty, so quiet that
you hear your blood
quicken, your breath
a miracle, you're
alive after all! And
for this blessed moment
you are a holiness,
a ghost haunting all
the loveliness.
I love mornings like these
when the snow moon stares down
and the sky is milksnow
and moonlight, the air so
cold and pure it hurts
to breathe and your skin
shrinks to ice and you gasp
with wonder, a prayer
that the world is buried
and it's all so deliciously
cold and milk blue and
empty, so quiet that
you hear your blood
quicken, your breath
a miracle, you're
alive after all! And
for this blessed moment
you are a holiness,
a ghost haunting all
the loveliness.
Subscribe to:
Posts (Atom)